I also think you get this level of the rapper that is experimental, which means pretty daring singing and instrumentals that stray him far away from вЂSoundCloud rapвЂ™ sounding s**t. Kodak Black is back and better than ever on вЂњDying To Live.вЂќ Though he still has his bulls**ting moments here and there, the album boasts a bunch of records that are deep, well-structured and solid when it comes to appeal. This song literally grew on me by each listen.

In my opinion, the combination of the three rapperвЂ™s contributions makes for one of the slyest efforts in hip hop this year. As forВ Kodak, he finishes things off, gifting us with a last verse that has him basking in his fortunes, practically naming any and everything heвЂ™s currently wearing, driving and living in. From there, Offset drops off a braggadocios/tongue-twisting verse that I believe fits the style of the instrumental more than anything else I heard. Over this instrumental, Travis Scott and Kodak Black go back and forth on the hook, pumping the crowd up with some pretty exhilarating lyrics. Production-wise, вЂњZEZEвЂќ has this islandy-feel to it, but at the same time, a boom that is nearly impossible to ignore. Is KodakвЂ™s dancing from that infamous meme he was on better than the actual song he was dancing to? вЂњTake OneвЂќ features this fantastic instrumental by Ben Billions that I believe gasses up Kodak Black to show his evil side, and that side of him comes out in the form of consistent flows, ruthless content and an infectious hook. From time to time, he gives off this persona that demands respect, and in вЂњTake One,вЂќ listeners are treated to that persona. Kodak Black supposedly made this song while on house arrest, yet it sounds better than anything Yachty has dropped in the last five years.ДЄs foolish/reckless as Kodak BlackВ may seem, heвЂ™s very hard to hate when heвЂ™s focused. Juice WRLD sounds nearly identical to Lil Uzi Vert on this song. Overall, I love the energy attached to the song, as it reminds me of something these drug-taking kids would soak up these days. In вЂњMoshPit,вЂќ they unite with one another to create this vibrant record that features a heavily melodic hook and verse by Juice WRLD ,В and some very gritty/boisterous bars by Kodak. Kodak BlackВ & Juice WRLDВ are two of the most respected young artists in the game right now, even though their styles are completely different. Overall, what you hear from Kodak throughout this record is growth, something that warms my heart a bit. From there, Kodak opens up about a myriad of topics such as his pill-popping ways, the untimely death of his friend XXXTENTACION, and the paranoia he has for letting haters get to his mental. The track boasts this emotional instrumental that also features these powerful words by Malcolm X on the hook. вЂњMalcolm X.X.X.вЂќ is KodakвЂ™s deepest song on this album. Everyone knows that rappers are at their best when they make you want to punch them in the face. I feel like he does his best to drop bars in a way that will make you want to snuff him in the face if you were his cell-mate in jail. The best part of вЂњIdentity TheftвЂќ is the glow Kodak raps with on his verses. First and foremost, it features this vibrant instrumental that has a bop very similar to вЂњZEZE.вЂќ Over this instrumental, Kodak Black primarily talks about his ability to bounce back after doing a jail-bid, and how he got to the bag faster than his naysayers expected him to shortly after his release. With that being said, on вЂњDying To Live,вЂќ I feel like the Pompano Beach native is comfortable in his own skin, which I think results in his best music to-date. Maybe because heвЂ™s unapologetic about who he is, and can care less about how we view his troublesome behavior. Kodak Black has never been the most articulate dude to listen to speak, nor has he been the biggest role model, but something about the s**t he says in his music always strikes a chord with me.

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